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But anyone coming to the movie fresh and not demanding a chapter-by-chapter adaptation will respond to the pic’s emotional sweep, sumptuous lensing and marvelous sense of ensemble.Wright, 33, who comes from a realist tradition in Brit miniseries (“Charles II: The Power & the Passion”), and scripter Deborah Moggach, a novelist and miniseries adaptor in her own right, extract the youthful essence of Austen’s novel, as well as providing a richly detailed setting.Elizabeth becomes interested in a dashing soldier, Lt.Wickham (Rupert Friend), who has an awkward history with Darcy; meanwhile, she’s pursued by a boring reverend, William Collins (Tom Hollander).The strategy aims to tackle radicalisation, but has met with fierce opposition from critics who claim it is divisive, ineffective and misjudged.Volunteers told the team they feared being seen to be “overly-politicised”.Macfadyen makes Darcy a more conflicted, softer figure than Firth’s indelibly etched performance, but one that fits the movie’s more realistic mood.

Wickham - Rupert Friend Kitty Bennet - Carey Mulligan Mary Bennet - Talulah Riley Georgiana Darcy - Tamzin Merchant A movie for the age, and a keeper for the ages, “Pride & Prejudice” brings Jane Austen’s best-loved novel to vivid, widescreen life, as well as making an undisputed star of 20-year-old Keira Knightley.More relaxed vibe fits better with an adaptation that gives a slightly modern twist to the characters.As an evocation of period English life in the shires, “P&P,” though set around a century earlier, is the most flavorsome since Phil Agland’s under-rated version of Thomas Hardy’s “The Woodlanders.” Moggach’s solution to paring down the novel is to concentrate on Elizabeth (Knightley), the second of five daughters belonging to a couple (Donald Sutherland, Brenda Blethyn) of reasonable but by no way lavish means. Bingley (Simon Woods), has moved into a nearby stately manor, Elizabeth’s mother smells a convenient match in the making.Darcy’s passionate proposal, and Elizabeth’s equally passionate rejection, show both thesps at the top of their game, emotionally fueling the long final act and coda.Looking every bit a star, Knightley, who’s shown more spirit than acting smarts so far in her career, really steps up to the plate here, holding her own against the more classically trained Macfadyen (as well as vets like Blethyn, Sutherland and Judi Dench) with a luminous strength that recalls a young Audrey Hepburn.

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